Wagner hear today is the most exciting moments out on the discovery in his later writers, especially Schoenberg. One remains silent on this gigantic work, Gustav Mahler. Perhaps this would have to sift through so that it stands as the sharpest critic of Wagner, as a protection forest on his closest with him. - Adorno has not made many comparisons between the two. Only two places close together, they add: "Just as Wagner dreamed [Mahler's] work of translucent loose, chastened, not transfiguring composing." (AGS 13, p. 233) The second digit left only Wagner operas and Mahler's symphonies: "The form should take the term symphonic dialogue Thus spoke the orchestral works of Wagner, which he intended to write after the completion of Parsifal alone yet, not. unlikely that the very well-read Mahler knew it, and in the Wagnerian project of their own music-related realized after they had once renounced formal canon itself: Alfredo Casella was right against Guido Adler, as he and the song of the earth a new phase Mahler dated. " (AGS 13, p. 298-299)
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