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three or four times here in two days to visit, and here is called here, right on your computer:

 
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Welcome, and thank you for your interest! Of course I will do everything possible to get the information, estimates, and discussed by diverse opinions, which are known to me and obviously you need. But does It really happened in this vast, unmanageably small clutter my personal computer? Look, the place is seriously too tiny, as yellow as the fact that power could develop charges. Would it be very bad to put out the thing where the courts appear to be limitless and walk the discussions at the latest already freely and undisturbed in front of him? Ugh! Not again: Apage, male spiritus, hoius, hoius, phlegetontia Styx ... And when the seven years tortured Latin is of no use as a lingua Franka, we enjoy the support of Frank Zappa's well-traveled, even in house-trained Chinese, the Beijing duck but certainly closer linguistically as my German texts on the compiler:

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Beckett

It's the same weather as usual, with the small difference that you gradually get used to it.

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Holy Ghost

This is a toast To my golly
host
As most may know
Tower hosts like host Holy Ghost
Almost done to build the Disco
He smashes it down
By his crown
The goofy clown
This host boast
Without crossing no word no lip
He doubles it for your luck
What you paid a year in back
Breach of contract more or less holy ghost
This provides just another rotten mess
How'll behave the following fellow
upload again some of 600MB pages - oh
This is a toast
Howl Howl Howl
the brave little cat
Mau Tse Dong

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America drinks and goes home

John Adams opera DVD The Death of Klinghoffer is therefore a bit better than the last-mentioned el niño, because the criticism can specify slightly, but not by Adams' merits, but by the quasi-doubling of the opera into a film, the music on without question the second refers. In 1985, Palestinian terrorists hijacked the cruise ship Achille Lauro to dozens Palestinian prisoners in Israeli jails freizupressen. But they value their Syrian friends incorrectly - their threats are acknowledged throughout the Mediterranean in silence. Therefore they were compelled to start with the murder of the passengers. The first is an American named Leon Klinghoffer, a disabled person in a wheelchair that was because of this chair on a deck off separately from the other, rounding up passengers. In this way, it was easier for the terrorists to break the criminal conscience and carrying its threat to the announced date. There were no other victims, it does not, as could now talks with the Egyptian authorities are out which finally allowed the free passage of terrorists. This event has been on the ship itself under the Englishwoman Penny Woolcock filmed naturalistically, complemented with scenes of the expulsion of the Palestinians by the Israelis in the forties, just as with archive materials of the extermination of Jews by the Nazis. Throughout the work we see the unabated violence against, those of Jews, those of Palestinians, those on the passengers, and finally the shooting of Klinghoffer. Only a tiny forms of film, in the presence of a young Israeli couple in the expulsion of Palestinians and the same grown old, not acting, not by the composer in the Opera scheduled on the ship. In them, reflects the activities, such as minimally whatever, and takes anti-Semitism accusation the top. The music is taking nothing for it. It seems wrong to say of her, they accompany the submitted objectively from a distance. Methinks the contrary, that they the feelings of the primary visual perception and reflected are triggered suddenly, direct and linear supports, that is permanently on it is another thing to have to accept the distanced reflection on no account form. It's always the same for John Adams: you sit on like a pot as small children, makes the jaw drop and whimpers, what terrible anyone here have everything again happens. What
need such crises and conflict situations are not sentimental appeals to pseudo-causes of the disaster, but calls to their supporting structure must not fall below a certain level of abstraction. This is the passing of John Adams, that he constantly with his stupid music decomposes and releases concretistic this abstraction, ie pseudo-concrete, childish feelings. Instead of stimulating thought, he müllt it with buckets full of bad feelings, the only force still remaining forces to the suggestion that as soon as possible to get away from there. Are the feelings with the view through the window at the thick snow-covered landscape of April has subsided, of the whole intrusive work remains only one thing: a hollow void.

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America is wonderful: wonderful, wonderful, wonderful



If all rationality seems to be expelled from the art, there is still the one moment that attests to their social origins. You may refuse in its radicalism all sorts - she chats about her origin rampant. In order to maintain, can be ignored with full force, what happens in John Adams opera el niño under Kent Nagano and directed by Peter Sellars, how it is set in the great shape and how the music works in conjunction with the text. The Evil Kitsch of a sudden, bright and catechetical Bible story today and infantilism at all levels of plant scare in their obscenity. I'm 5 and in Sunday school or do because in fact recognized artists that I deal with one of their creations? A critique of the irrationality of this work would fall short of the matter, because rational track, which allowed a rescue, are not evident. And yet not a product of an isolated madman who had ventured too far, his case would have pulled blindly and without external protection is, too many renowned artists involved. So one only one thought torments as a defense of the whole, as pathetic and without any consolation it must be a company, their artifice so very protects infantilism and pay homage to the victims but only a long-lasting regression already?

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Wagner Mahler

Wagner hear today is the most exciting moments out on the discovery in his later writers, especially Schoenberg. One remains silent on this gigantic work, Gustav Mahler. Perhaps this would have to sift through so that it stands as the sharpest critic of Wagner, as a protection forest on his closest with him. - Adorno has not made many comparisons between the two. Only two places close together, they add: "Just as Wagner dreamed [Mahler's] work of translucent loose, chastened, not transfiguring composing." (AGS 13, p. 233) The second digit left only Wagner operas and Mahler's symphonies: "The form should take the term symphonic dialogue Thus spoke the orchestral works of Wagner, which he intended to write after the completion of Parsifal alone yet, not. unlikely that the very well-read Mahler knew it, and in the Wagnerian project of their own music-related realized after they had once renounced formal canon itself: Alfredo Casella was right against Guido Adler, as he and the song of the earth a new phase Mahler dated. " (AGS 13, p. 298-299)

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Helmut Lachenmann, fear and desire

The DVD Helmut Lachenmann, fear and desire contains the four compositions, two feelings, Consolation I, Consolation II and Movement to be held either with comments by the composer and the conductor Walter walnut or in the well-filmed live recordings. The gain of the video is in the easier recognition of the formal structure of these pieces, not only because the sound of moments to identify more easily on the surface and perform music as such and thus remain in the memory to blur instead, but also because of the observable presence of conductor, the metrical structure stands clear. It does not help much if you see that in a moment that is little more to hear the sense of speed is to object, which occurs only with time on the surface appearance. One sees in this way with ease that the term can match the sound of this music in any way. Once the unknown in the large form is cleared out, can also follow these ears the music playing, who think otherwise, only the latest to consume in the history of sedimented.
Unfortunately, the production of the DVD over to a trainee and given them without control to the factory. Each time you start the browser in the drive is started with a page of advertising - a process that one must see through such as the first. For further it goes from here no more dead end, and everything is silent. The fool must now exit the browser itself. He then has the program installed on your computer to locate, which until now started with all other DVD's and was presented the contents. Of course he knows the name, but he takes the time to test everything thoroughly, and finds him. When Lachenmann DVD this is not only the first time, but every time is of course in this way, the DVD does not play by the program identified as one that had been played before in part. Consequently, they can not look into batches, as is usual - always has to be the whole diabolical Werbekabis eaten. Not only that, whatever one wants to play a fool, an interview or a piece: each time the ears are a recently approved thunder with a vast carnival fanfare. Madonna! Wergo has at Lachenmann learned nothing.

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Soundcheck


Last night during the sound check of Remember Shakti, The Way of Beauty, suddenly noticed that the error once was: negligent omission of a sound check, with materials nota bene, all of whom were only borrowed. The KSR-stage Reussbühl was the beginning of the meadow herb of full-concert, maybe I do not much less, a dull dark mass, bubbling babbling, but soon no longer perform, because there was already very soon to play a flute solo. There was only playing solos, against the hegemony of the conservatives in the band, and others there was none. Typed onto a drum so bold as Zappa from the Mothers, Tip Tip tippperlitipp, without reference to the music as in his Federal house career then without reference to the former musicians, one had to children's songs notes will be presented, if it should have something like a Entengewatschel in the bass line in hand, the saxophone tootled for itself with as we went around a Barabe Roxy Music , and Mayr was so tolerant that you had to fear, suddenly end up in a duet on the ice real music. A solo that time had to be one main thing: long. So I played straight on so blind as loud as possible. Content was only one rule (for me, clearly, but not for the dance musician): not a measure of complexity so that it could only be good if you did not say what been played for was. Badly behaved call confuse things, I threw the highest. Little idea how long it lasted, but once I was exhausted, had to get air and, damn, opened the eyes of the giant hall was dark, deserted ... Exactly, they had heard nothing, because the PA does not tire of play along. Organized by a two-hour sound check the afternoon before - we had bathed in the applause. Even years later I was looking for the people in the nightmare: no, no one has heard anything good. The future director of the pigs Sound Studios while murmuring soothing words, has a live recording but he does not want to think.

would Nei have landed in these minutes in Kermanshah. Whether it is a short visit to the Razi University? As below the lookout would do then, get used to, but not bad in advance already. That one would have to repeat the teacher's lessons privately as the church from the field for years (the high school here is not yet arrived in the modern era, at least in name), - ah! this misery with the physics, for me! - Does not seem to be the case, the girls look quite interested in the world, and Little Red Riding Hood does not remember little of it.

(c) razi uni (not raz uli)

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Xala


New Ballet for Xala is a DVD with Ania Losinger Quartet dancing on a floor of Xylophone Hamper of low houses, accompanied by the string tone. Their consumption in times of mental exhaustion just before a refreshment. Nichts wäre bemerkenswert und also wachrüttelnd neben der erotischen Attraktivität der Tänzerin, die allein eine Stunde lang zu sehen ist, wie sie behend und virtuos mit Stöckelschuhen und zwei Langstöcken in den Händen die Hölzer des floss- und botstegartigen Quadrats traktiert. The beginning is deceptive, because you think you have to deal with a Sorceress, but more and more it appears as a sexy temple dancer who does not disdain the voyeurism in the audience. The composed music by Don Li fool - ah! how good it sounds and how well it harmonizes with the irrational Bernese artist-conceit - the event is entirely adequate for standing on the spot. Their smaller size, the extent of its sub fatamorganisiert complexity that makes each work of minimalist music seem crazy. It is not directed by the dancer, the activity of many past efforts reveals serious and causing much admiration, but to the woods, they betanzt: it is wooden. No idea how to warm up for such a regressive slide into the children magic. Times have changed Bubis! Also in the art should not be too far to retreat behind insights outside tough place to start to find. This means that the depths of the irrational sooner or later lead to violence, not to admiration and appreciation.

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Poppea

heard again after almost thirty years, L'incoronazione di Poppea by Claudio Monteverdi, on DVD, as amended by René Jacobs, Schwetzingen Festival 1993 (in the meantime one or two times the disk and CD recordings of Nikolaus Harnoncourt and Jean-Claude Malgoire ). Almost every DVD production at the Opera area for which I especially cherish no sympathy throws at me: Image and sound quality leave much to do anything with headphones, and thanks to the subtitles to the action, without preparation, can also be followed concentrated. This creates a more productive relationship which the individual moments can come to light decided clearly than the debilitating libretto and score reading (there is a complete score it is not) a least along with records, cassettes, or - even better, but only late after graduation - CDs. Since the computer has produced no childish audience gets on my nerves, which is socially Deficient Opera hidden: it confronts herself tel to a user selected time with a work quel, whether it was already old, written in ancient and more limited language or new on the surface (in dealing with the same leaves every work of art in New reveal to him). The Poppea has worked like new again. Unlike the first time, it seems clear today that this great work permits multiple readings and that it was unreasonable to a single, supposedly true and the work in the depths of adequate breitzutreten; the geschähe just stood on the contradictions that grasp at a glance used to be very difficult to specify in a live performance (Zurich under Harnoncourt). Monteverdi's Poppea tolerate it well, to stand both as a power-critical structure of the learned art as an entertainment farce, as full-length song revue as advanced as the depiction of human emotions through the social roles than anticipated opera characters through, beyond any rigid doctrine of the affections. After Monteverdi was a big step back to the music and contented himself in the opera with the presentation of the figures alone. No, by Mozart, there is no Drusilla more - but stylize her performance as that of ordinary people with Monteverdi as a sensation, is reversed so wrong because it is performed in a concept that includes several other figures, of which they are not much is deposited.
shame that you can pull in old age piece by piece, the arrogant assumptions and begin to become more and more over to the mainstream. The idea is gradually pale that it has historically always been moments that could imagine a different progression than those actually performed. More and more seems like everything properly be apart unfolds. From extravagant Monteverdi's remains then only the ordinary uniqueness of the predecessor of Bach, Handel and Mozart, as if something else does not have to develop more humanistic, less formal.

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The President

As the Central Swiss tabloid reports just hissing, the municipality of Emmen a new president: Thomas William. Good luck!

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Augsburg is not one of the cities, in which somehow is always the same weather, no matter what season, no matter what going on right now is. In Freiburg, for example, there seems always the sun. In Munster it always rains. In Hamburg, it is always windy. That's boring.
If any weather in Augsburg, then it is right. If it's foggy, it's so foggy that you can barely see his hand before his eyes. When it snows, then breaks down the road - for two days. When it rains, then float away sometimes even an entire highway bridge. When it gets cold, it's for a city like Augsburg already honor to reach at least minus 25 degrees. Otherwise, you freeze it properly. Yes, who lives in Augsburg, which is quite normal.
is most beautiful in Augsburg but summer. I have seen many places experienced in the summer. I was sweating in London at 25 ° in the Tube , I experienced the single thunderstorm of the summer in Valencia, I have in Holland toes thrown in still cold Ijselmeer, I have observed in starry summer nights in Sweden moose. But I have never experienced such a great place like the Augsburg Rathausplatz in the summer. Located right in the center, the town square every year from April to September for the meeting place for teenagers and young adults in the city. As a colorful folk mixed up of students, students, punks, students, guitar players, collectors of bottles, tape DJs, Germans, Turks and Arabs, and all have fun together. They bring their musical instruments, its deck chairs, his exercise equipment, you jams together, they meet, one shows off his latest creation porn sunglasses, to cure the hangover from last night, trying to be brown. The atmosphere is relaxed, jolly diverse. Ice cream eating business administration students pet the dogs of the street punks, the Iranian Erasmus students bring in their by-seat aircraft, the drums, they are found together spontaneous Häckisäck rounds of plucking young rock stars on their detuned guitars around and try to Curt Cobain sound like. You can be at rest, or not.
the evening is the relaxed Mood often turns into a big party. The remaining day guests mingle with the revelers of the Maxstraße begin the surrounding cafes, sell the bottles of beer on the street. The Augsburg Town Hall Square is a great place to celebrate in one of the balmy nights in Augsburg a party. But not the only one.

Augsburg is a city that is much influenced by the water. It is known as the "city of a thousand fountains," and the one or the other, including the author of these lines, already had the idea to see whether you can swim in the fountain too. You can. We recommend the whole thing is still not sure - not only that it can come quickly to trouble with police or ubiquitous CIA (City Initiative-Augsburg, Aushilfscops) - There is something disgusting. You never know, who has since been purely tilted his stuff.
better places to swim are the ever-popular Cow Lake, which lies further out Friedberger lake or in particular the ice channel . While romping at Cow Lake and Stretch (and on the other lakes in the Augsburg Area), a relatively colorful little people, the ice track is more for specialists. It is a branch of the Lech, which was originally designed as a canoe route. The channel splits up into a wild water channel, where swimming is not necessarily a good (Even if heard, was that there too crazy to be jumped in) and a more peaceful route - the ice track. In most of the top canoeists still practice it, go through the gates, at the bottom of the swimmers but for themselves.
is the ice track, as I said, not necessarily something for the average sun. The water is very cold, when Lech is a glacial river, the water temperature accordingly. Sometimes you feel yourself almost freeze while inside increases. Moreover, the water flows very quickly, so you can actually swim with only the flow, not against it. But that does nothing. To a of the greatest most experience, which can be made in Augsburg, is to run up to the upper range (barefoot, in bathing trunks, through a residential area), there to jump into the ice channel, and then to the three kilometers of trees and clouds, by to have to drive back bathing lawns and pedestrian bridges. Very quiet. Already almost meditative.

The other special employment, which allows the ice channel, the iconic boarding bridge. Given to build themselves a bridge board, which consists essentially of a large wooden board, a long line at the top and two handles. This design is fixed at one of the few bridges, and then one will realize that that one on this board can slide over the water. Almost like surfing. Just that you do not even move, but the water.

The Bridge boarding is a sport that has in Augsburg tradition. Long before the emergence of the ice channel, the young people of the city are gone Bridge boarding, then door to large boards on the Lech. It is said that these boards could dive completely under water, stay there for a while and then come back up. Also on the ice track is surfing in different variants: as would be the 40th men who gather there for years and then try out their ever-changing technical structures, there are the teenagers that the whole apparently only do that to impress her friends, as are the little children, because of their low weight are usually the best surfers of all, and then there are the Bridge Board-addicted students, of which I am one. Bridge for boarding is an extreme sport actually very relaxed. Actually, even so relaxed that it is not very extreme. Once you master the technique somewhat, which takes about two days, no more major challenges. Except for the small children of course, always at the top of the bridge shall be so long tear on the rope until the Board plops down into the water. Of course you can still go to learn such things as reverse, freehand or as low-in-water. But actually the boarding bridge is the most beautiful, if you just relax smooth sailing. Up to his knees in ice water, but otherwise dry and warm. You drive to the left, right tries from time to make a nice bow wave, they waved to the people who admire one of the bridge, you smoke a cigarette. Until one is too boring. Then you jump into the water.